Cindy: Welcome, Joss! Please
tell us about your current project and where we can purchase it.
Joss
Alexander: Tainted Innocence, my first novel, is a historical mystery, set
in Cambridge, England, in 1524. It tells the story of Bryony,
an illiterate laundress and a stranger to the town, who lives in constant fear
that her unusual upbringing and lack of friends will leave her vulnerable to accusations of witchcraft. When Matthew Hobson, a
scholar at the college, is found murdered Bryony becomes a suspect. But she is
not the only one. Luke Hobson, a taciturn local tradesman who has sacrificed
much for his charismatic but selfish brother, also has a motive for the murder.
JA: Yes! Here’s an extract from the novel: (PG)
It would
not be the first time Bryony had risked the branding iron, but before she’d
been sick with hunger. This was different. This wouldn’t be stealing to stop
the gnawing in her belly. This would be stealing just because she wanted it.
She
caressed the smooth leather binding of the book. It was not so large; it could
be concealed in the folds of her shawl, and none would be the wiser. One
chilblained finger traced the flowing curves of gold. She knew that first
letter—a B—the same as a priest once
told her began her own name. Bryony. A pagan name, he had called it, not really
a name at all but that of a plant with poisonous berries, and he had urged her
to adopt another one, one from the holy saints. Bertha or Barbara.
But her
name was the only gift she had had from her mother, and so Bryony valued it all
the more for that. Margherita, the wise woman who had raised her, had asked
Bryony’s mother how she would name her.
“She has
her father’s eyes,” the dying woman had whispered, cradling her newborn babe.
“See how they gleam black like the berries in the hedgerow. Name her for
those.”
A fitting name, Bryony sometimes thought, since my birth was as fatal for my mother as
any deadly juice.
Her gaze
lingered on the gleaming B. This must
be the Holy Book then, though it was smaller than those she had seen in the
churches. She opened it. A lion with angel’s wings stared out at her, his great
paws clutching a manuscript, his dark eyes wise and sad.
“Those
who steal from the Church steal from God himself and will end their days in
torment and damnation.” That’s what the priest had told her when he’d caught
her hovering by the communion bread. Much he knew about torment and damnation,
with food on his table and a monstrous paunch. Even with the wars ended—at
least for the time being—the streets were full of beggars and the common folk
still starved, for fifteen years into his reign the greedy Henry, the eighth of
that name, had not fulfilled the promises of his golden youth.
No.
Bryony placed the book back on the table. No. The purpose of this great
University of Cambridge, they said, was the spreading of knowledge, and yet
they’d branded a serving-man some three months ago for stealing a manuscript.
The college servants had to watch him being punished. He’d not cried out when
the felon’s F was burnt into his
cheek, but the tears had streamed down his face when they cut his hand off.
Good King Hal’s men had a way with thieves.
The
chilblains itched painfully on Bryony’s fingers. How could a man earn food for
his family with only one hand? Skivvying for the learned doctors was better
than trying to sleep with an empty stomach under the shivering hedges. It would
be madness to risk losing food and ale and a leaky roof over her head for a book
she couldn’t read.
CSP: That sounds
wonderful. Now, tell us a little about your writing. What type of stories do
you like to write? Any characters you like to write about? Any themes you find
especially inspiring?
JA: I’m
currently writing a second novel about Tudor Cambridge. I find the Tudor period
of history in Britain fascinating; it’s such a rich, dangerous and voluptuous
time, with so much happening in literature, architecture, food and exploration.
Living in a very ancient town—Cambridge, UK—I find the past haunts me, and I need
to write about it, and the people that inhabited it. Not the great and the good
necessarily, but the ordinary people. What was it really like to toil and love
in those times? How did their lives work? Sometimes I think I’m going a little
crazy—are the characters figments of my imagination or did they really exist?
They become so real, so vivid, and I eavesdrop on them. They are my constant
companions from day to day.
CSP: What is your
favorite part of the writing process? What are your most dreaded tasks? Anything
special you do to get through the tough parts?
JA: I
feel guilty when I don’t write, so I set a daily target of words when I’m doing
a first draft and try to meet it. Transforming that first draft from exciting
ideas and tantalizing fragments in your head into something that makes sense
and is gripping on the page, can be a very elusive process. And then, when it
comes together and flows, there’s immense satisfaction.
I
nearly always know what the beginning of a novel will be, and the end; the
middle can be more challenging, and the temptation to start something new can
be almost overwhelming. In fact I wrote about this for the Savvy Authors blog
“When the romance is dying…” http://bit.ly/128nzuc
CSP: What’s a typical
day look like for you? What’s your writing schedule? When you’re not writing
what are you doing?
JA:
I find the mornings are my most creative time and I tend to be a lark, rising
early, grabbing a cup of tea (I’m English after all!) and starting to write any
time from 7am onwards. I work for most of the morning. If I’m writing a first
draft, I tend to stop writing about lunchtime, and then spend the afternoon
doing all the other stuff that needs to be done in life: housework, cooking,
shopping, gardening and the never-ending admin. When I’m feeling virtuous, I
also try to get myself out of the front door to the gym, or to have a cycle
ride, go for a walk or play tennis. When it’s raining I tend to chicken out,
curl up and read a book!
One
of my other passions is hill-walking, and I’m off to Japan next month to walk
some of the ancient trails through the mountains there.
CSP: Japan? Now I’m really
jealous! But never mind me. What would you like readers to take away from your
stories?
JA: I’ve
always loved books that take me to other worlds, times or places. The best
novels for me are those that leave me with a slight sense of loss when I’ve
finished the story, because I didn’t want to leave that world and those
characters.
I hope
readers of Tainted Innocence will
have that same feeling.
CSP: I so agree. On
the personal side now, what is your favorite comfort food?
JA: I
daren’t tell you—it shocks my children and you’ll be disgusted…
CSP: Those are the
best kinds! It’s good to shock your offspring. Come on, you can tell us…
JA: …Oh,
all right then. Sliced white bread, homemade pork dripping with lots of jelly,
liberally sprinkled with salt and pepper.
There!
I knew I shouldn’t have told you.
CSP: Must be a British
thing, but you know, it doesn’t sound bad… I suppose we should get back to the
writing thing. When and why did you begin writing?
JA: I can’t remember ever not writing. I first got into print
when I was seven, and had a poem published in a national newspaper. It was
about mermaids; since then, as an adult, I have had two short stories published
about mermaids so I guess that’s a theme! Then at ten, I went on to write my
first novel about a badger. I thought I was being highly original when I called
him Brock. I also illustrated that novel with lots of bright-coloured pictures.
And no, I can’t draw. Art was the only exam I failed at school!
CSP: Do you have a
specific writing style?
JA: The phrases that people have used most about my writing are:
‘easy to read’ and ‘I had to know what happened next’.
CSP: Wonderful
compliments! Congrats. So, who’s your favorite author and what is it that
really strikes you about their work?
JA: I have lots of favorite authors but the ones I read over and
over again, often to work out how they write something that really touches,
amuses or resonates with me, are Georgette Heyer, Shakespeare and Robin Hobb. I
can’t believe the Robin Hobb novels haven’t yet been turned into films. Her
worlds are so well constructed, and her characters are wonderfully flawed.
CSP: Do you have any
advice for other writers?
JA: Sorry, it has to be the old chestnuts…set yourself a target
number of words to write regularly and meet it, and always finish what you
start before you discard it and start something new.
Speaking of which—I haven’t done
my daily words yet…
CSP: Believe me, I
understand! We’ll let you get back to it. Before you go, tell us where we can find
you on the web.
JA: You can find
me, Joss Alexander, on Twitter @joss1524, Facebook http://on.fb.me/OgqxSr and read my
blog Random Jossings http://bit.ly/SfQaDd
You can
buy Tainted Innocence on the Carina
Press website http://bit.ly/UeR9Zw
Amazon.com http://amzn.to/ZtM1Pz
Amazon.co.uk http://amzn.to/SlfzQ1 and all major e-book
sites.
CSP:
Thanks, Joss! Have a great day!

4 comments:
The book sounds fascinating, I enjoy that time period! A very interesting interview...
Sounds like an exciting book. Cambridge has such a wonderful history, I'd love to visit it someday!
Fun interview! I agree — I can't believe Robin Hobb's books haven't been turned into movies yet! Tainted Innocence is another one I will have to add to my to be read pile. Sounds intriguing!
Love how you write the language of the period so well. I like Robin Hobbs too.
Good luck on your release. I wish you many sales.
Janice~
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